Elgar's Quintet
Tue, May 6, 2025, 7:30 pm
Alice Tully Hall
2 hours, including intermission
Building on the earlier traditions of the piano quintet, Elgar’s A-minor Quintet was composed later in his career, during a time of reflection just after World War I. Likewise, Brahms’s Third Violin Sonata has a sense of nostalgia, written towards the end of his compositional career. Beethoven’s fifth and final cello sonata is arguably his first “late-period” work.
Program
Ludwig van Beethoven
(1770–1827)Sonata in D major for Cello and Piano, Op. 102, No. 2
(1815)Johannes Brahms
(1833–1897)Sonata No. 3 in D minor for Violin and Piano, Op. 108
(1886–88)Edward Elgar
(1857–1934)Quintet in A minor for Piano, Two Violins, Viola, and Cello, Op. 84
(1918–19)Alessio Bax
Michael Stephen Brown
Benjamin Beilman
Richard Lin
Milena Pájaro-van de Stadt
Paul Watkins
Alessio Bax catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions. He has appeared with more than 150 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, and Sydney Symphonies, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden. He released his 11th Signum Classics album, Italian Inspirations, whose program was also the vehicle for his solo recital debut at New York’s 92nd Street Y as well as on tour. He and his regular piano duo partner, Lucille Chung, have given recitals at Lincoln Center and were featured with the St. Louis Symphony and Stéphane Denève. This season he makes his debut with the Milwaukee Symphony, and will return for the fourth time for two recitals at the historic Teatro Colón in Buenos Aires. Last summer he made return appearances at the Seattle Chamber Music Festival and at the Bravo! Vail Music Festival with the Dallas Symphony and Fabio Luisi conducting. At age 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. A Steinway artist, he lives in New York City with pianist Lucille Chung and their daughter, Mila. He is a former member of CMS’s Bowers Program and on the faculty at the New England Conservatory.
Michael Stephen Brown has been described as “one of the leading figures in the current renaissance of performer-composers” (New York Times). Winner of a 2018 Emerging Artist Award from Lincoln Center and a 2015 Avery Fisher Career Grant, he is an artist of the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program. He makes regular appearances with orchestras such as the National Philharmonic and the Seattle, Phoenix, North Carolina, and Albany symphonies, and recently has made European recital debuts at the Beethoven-Haus Bonn and the Chopin Museum in Mallorca. He has received commissions from many organizations and some of today’s leading artists, and recently toured his own Piano Concerto around the US and Poland with several orchestras. He performs regularly with his longtime duo partner, cellist Nicholas Canellakis, and has appeared at festivals worldwide. A prolific recording artist, he has three albums in the works, including Mendelssohn+, featuring world premieres of music by one of Mendelssohn’s muses, Delphine von Schauroth. He was the composer- and artist-in-residence at the New Haven Symphony, and winner of the Concert Artists Guild and Copland House Awards. He holds degrees in piano and composition from the Juilliard School, where he studied with Jerome Lowenthal, Robert McDonald, and Samuel Adler. Additional mentors include András Schiff and Richard Goode. An Artist Ambassador for Creatives Care, Brown lives in New York City with his two 19th-century Steinway D pianos, Octavia and Daria.
Violinist Benjamin Beilman has won praise both for his passionate performances and deep, rich tone which the Washington Post called “mightily impressive,” and the New York Times described as “muscular with a glint of violence.” Highlights of recent seasons include debuts with the Budapest Festival Orchestra, return engagements with the Philadelphia Orchestra, and his return to the London Chamber Orchestra to play-direct. He has also performed with the Chicago Symphony, Antwerp Symphony, Rotterdam Philharmonic, London Philharmonic, Frankfurt Radio Symphony, Zurich Tonhalle, Sydney Symphony, Houston Symphony, Detroit Symphony, Indianapolis Symphony, and Minnesota Orchestra. In recital and chamber music, he performs regularly at major halls across the world, including Carnegie Hall, Lincoln Center, Concertgebouw Amsterdam, Kölner Philharmonie, Berlin Philharmonie, Wigmore Hall, Louvre (Paris), and Bunka Kaikan (Tokyo). In 2018 he premiered a new work dedicated to the political activist Angela Davis written by Frederic Rzewski and commissioned by Music Accord. An alum of CMS’s Bowers Program, Beilman studied with Almita and Roland Vamos at the Music Institute of Chicago, Ida Kavafian and Pamela Frank at the Curtis Institute, and Christian Tetzlaff at the Kronberg Academy, and has received many prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant, and a London Music Masters Award. He has an exclusive recording contract with Warner Classics and released his first disc Spectrum for the label in 2016. He plays the “Engleman” Stradivarius from 1709 generously on loan from the Nippon Music Foundation.
Taiwanese-American violinist Richard Lin continues to gain international prominence since his Gold Medal prize at the 2018 International Violin Competition of Indianapolis. Following his June 2022 Carnegie Hall Stern Auditorium recital debut, New York Concert Review asserted, “Richard Lin. Remember the name. For he has everything required to take the world by storm.” He has collaborated with numerous orchestras and performed at celebrated concert venues throughout Asia, Europe, and the United States. He is a laureate of the Sendai, Joseph Joachim, Singapore, and Michael Hill International Violin competitions and has just joined the faculty of the National Taipei University of Education. He opened the 2022–23 season as soloist with the Chippewa Valley Symphony and Hong Kong Sinfonietta. He appeared in recitals in Indianapolis, Washington, DC, and Baton Rouge. Passionate about chamber music, he continues to perform with the Chamber Music Society of Lincoln Center, at many music festivals, and on tours of Asia. In the spring of 2023, he released a new album with pianist Thomas Hoppe on the Azica label featuring his Carnegie Hall program with works by Vitali, Richard Strauss, John Corigliano, and Frolov. Born in Phoenix, Arizona, and raised in Taiwan, Lin graduated from the Curtis Institute of Music and The Juilliard School, where he studied with Aaron Rosand and Lewis Kaplan, respectively.
Violist Milena Pajaro-van de Stadt has established herself as one of the most sought-after violists of her generation. In addition to appearing as soloist with the Tokyo Philharmonic, the Jacksonville Symphony, and the Sphinx Chamber Orchestra, she has performed in recitals and chamber-music concerts throughout the United States, Latin America, Europe, and Asia, including an acclaimed 2011 debut recital at London’s Wigmore Hall. She was the founding violist of the Dover Quartet, and played in the group from 2008 to 2022. In 2013 the Dover Quartet was the first-prize winner and recipient of every special award at the Banff International String Quartet Competition, and won the gold medal and grand prize in the 2010 Fischoff Chamber Music Competition. Her numerous awards also include first prize of the Lionel Tertis International Viola Competition and top prizes at the Sphinx Competition and Tokyo International Viola Competition. While in the Dover Quartet, she was on faculty at Curtis Institute of Music and Northwestern University’s Bienen School of Music, and a part of the Quartet in Residence of the Kennedy Center in Washington, DC. A violin student of Sergiu Schwartz and Melissa Pierson-Barrett for several years, she began studying viola with Michael Klotz at the Bowdoin International Music Festival in 2005. Pajaro-van de Stadt graduated from the Curtis Institute of Music, where she studied with Roberto Diaz, Michael Tree, Misha Amory, and Joseph de Pasquale. She then received her master’s degree at Rice University’s Shepherd School of Music, as a student of James Dunham.
Acclaimed for his inspirational performances and eloquent musicianship, Paul Watkins enjoys a remarkably varied and distinguished career as soloist, chamber musician, and conductor. He is the Artistic Director of the Great Lakes Chamber Music Festival, and in 2019 he was appointed Professor of Cello at the Yale School of Music. He has performed as concerto soloist with prestigious orchestras throughout the world under eminent conductors including Bernard Haitink, Paavo Berglund, Leonard Slatkin, Sakari Oramo, Gianandrea Noseda, Sir Mark Elder, Sir Andrew Davis, Sir Charles Mackerras, Andris Nelsons, Edo de Waart, Hannu Lintu and Vasily Petrenko. A dedicated chamber musician, Paul was a member of the Nash Ensemble from 1997 until 2013, when he joined the Emerson String Quartet. With the Quartet he has travelled extensively, performing at major international festivals including Tanglewood, Aspen, Ravinia, Edinburgh, Berlin, and Evian, and has collaborated with artists such as Emanuel Ax, Yefim Bronfman, Evgeny Kissin, Renée Fleming, and Barbara Hannigan. He is a regular guest artist of the Chamber Music Society of Lincoln Center.
He took first prize in the 2002 Leeds Conducting Competition, and has held the positions of Music Director of the English Chamber Orchestra and Principal Guest Conductor of the Ulster Orchestra. In recent seasons he made his conducting debuts with the Minnesota Orchestra, Detroit Symphony, and Omaha Symphony. His extensive discography as a cellist includes more than 70 recordings, including 18 solo albums for Chandos. His first recording as a conductor, of the Britten and Berg violin concertos with Daniel Hope, received a Grammy nomination.
Paul’s future plans include solo performances and recordings with, among others, Alessio Bax, Anthony Marwood, Lawrence Power, Leila Josefowicz, Edward Gardner, and Sir Andrew Davis. He is also in demand as a visiting teacher and has residencies this season at the Curtis Institute of Music and the Butler School of Music at the University of Texas at Austin.