38. Schubert's Vocal Chamber Music
1. | Introduction | 00:00:42 |
2. | Schubert: Notturno in E-flat major for Piano, Violin, and Cello, D. 897, Op. 148 | 00:10:20 |
3. | Schubert: "Auf dem Strom" for Voice, Horn, and Piano, D. 943, Op. 119 | 00:10:47 |
4. | Schubert: "Ganymed" for Voice and Piano, D. 544, Op. 19, No. 3 | 00:05:18 |
5. | Schubert: Rondo in A major for Violin and String Quartet, D. 438 | 00:15:10 |
6. | Schubert: "Der Hirt auf dem Felsen" (The Shepherd on the Rock) for Voice, Clarinet, and Piano, D. 965, Op. 129 | 00:16:09 |
7. | Closing | 00:00:30 |
Program
Schubert Notturno in E-flat major for Piano, Violin, and Cello, D. 897, Op. 148
Michael Stephen Brown, piano; Yura Lee, violin; Sihao He, cello
Schubert "Auf dem Strom" for Voice, Horn, and Piano, D. 943, Op. 119
Joelle Harvey, soprano; Kevin Rivard, horn; Ken Noda, piano
Schubert "Ganymed" for Voice and Piano, D. 544, Op. 19, No. 3
Nikolay Borchev, baritone; Gilbert Kalish, piano
Schubert Rondo in A major for Violin and String Quartet, D. 438
James Thompson, violin solo; Kristin Lee, Richard Lin, violin; Matthew Lipman, viola; Mihai Marica, cello
Schubert "Der Hirt auf dem Felsen" (The Shepherd on the Rock) for Voice, Clarinet, and Piano, D. 965, Op. 129
Joelle Harvey, soprano; Sebastian Manz, clarinet; Ken Noda, piano
Title | Date |
---|---|
Streaming live | {{ViewModel.StreamingOn.date}}, {{ViewModel.StreamingOn.time}} |
Available on-demand until | {{ViewModel.AvailableUntil.date}}, {{ViewModel.AvailableUntil.time}} |
{{ViewModel.BuySubscription.prompt}}
Michael Stephen Brown
Yura Lee
Sihao He
Ken Noda
Gilbert Kalish
James Thompson
Kristin Lee
Richard Lin
Matthew Lipman
Mihai Marica
Sebastian Manz
Michael Stephen Brown has been described as “one of the leading figures in the current renaissance of performer-composers” (New York Times). Winner of a 2018 Emerging Artist Award from Lincoln Center and a 2015 Avery Fisher Career Grant, he is an artist of the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program. He makes regular appearances with orchestras such as the National Philharmonic and the Seattle, Phoenix, North Carolina, and Albany symphonies, and recently has made European recital debuts at the Beethoven-Haus Bonn and the Chopin Museum in Mallorca. He has received commissions from many organizations and some of today’s leading artists, and recently toured his own Piano Concerto around the US and Poland with several orchestras. He performs regularly with his longtime duo partner, cellist Nicholas Canellakis, and has appeared at festivals worldwide. A prolific recording artist, he has three albums in the works, including Mendelssohn+, featuring world premieres of music by one of Mendelssohn’s muses, Delphine von Schauroth. He was the composer- and artist-in-residence at the New Haven Symphony, and winner of the Concert Artists Guild and Copland House Awards. He holds degrees in piano and composition from the Juilliard School, where he studied with Jerome Lowenthal, Robert McDonald, and Samuel Adler. Additional mentors include András Schiff and Richard Goode. An Artist Ambassador for Creatives Care, Brown lives in New York City with his two 19th-century Steinway D pianos, Octavia and Daria.
Violinist/violist Yura Lee is a multifaceted musician, as a soloist and as a chamber musician, and one of the very few that is equally virtuosic on both violin and viola. She has performed with major orchestras including those of New York, Chicago, Baltimore, Cleveland, San Francisco, and Los Angeles. She has given recitals in London’s Wigmore Hall, Vienna’s Musikverein, Salzburg’s Mozarteum, the Palais des Beaux-Arts in Brussels, and the Concertgebouw in Amsterdam. At age 12, she became the youngest artist ever to receive the Debut Artist of the Year prize at the Performance Today awards given by National Public Radio. She is the recipient of a 2007 Avery Fisher Career Grant and the first prize winner of the 2013 ARD Competition. She has received numerous other international prizes, including top prizes in the Mozart, Indianapolis, Hannover, Kreisler, Bashmet, and Paganini competitions. Her CD Mozart in Paris, with Reinhard Goebel and the Bayerische Kammerphilharmonie, received the prestigious Diapason d’Or Award. As a chamber musician, she regularly takes part in the festivals of Seattle, Marlboro, Salzburg, Verbier, and Caramoor. Her main teachers included Dorothy DeLay, Hyo Kang, Miriam Fried, Paul Biss, Thomas Riebl, Ana Chumachenko, and Nobuko Imai. An alum of CMS's Bowers Program, Lee is on the faculty at the USC Thornton School of Music in Los Angeles. She lives in Los Angeles with her dog Nugget.
Sihao He first came to international prominence as a 14-year-old cellist winning first prize at the International Antonio Janigro Cello Competition. He is also the grand-prize winner of the prestigious 3rd Gaspar Cassadó International Cello Competition. As soloist, he has performed with leading orchestras including the Bavarian Radio Symphony Orchestra, Tokyo Philharmonic Orchestra, and Brussels Philharmonic. As a chamber musician, he has appeared at Music@Menlo, Bravo!Vail, and the Meadowmount School of Music. As a member of the Galvin Cello Quartet, he won the 2022 Victor Elmaleh Competition and joined the Concert Artists Guild roster. He is the newest member of the renowned Shanghai Quartet and a full-time faculty member at the Tianjin Juilliard School. He is a former faculty member at the Robert McDuffie Center for Strings at Mercer University and an alum of CMS’s Bowers Program.
Ken Noda is Musical Advisor to the Lindemann Young Artist Development Program at the Metropolitan Opera. After a 28-year tenure, he retired from his full-time Met position as a coach and teacher in July 2019. He is a guest coach at the Carnegie Hall/Weill Music Institute, the Verbier Festival in Switzerland, the Marlboro Music Festival, and the Chamber Music Society at Lincoln Center. From 2020 through 2023, he coached a Mozart/da Ponte opera cycle in Salzburg conducted by Sir András Schiff that will be repeated from 2026 through 2028 in Vicenza, Italy. He studied piano with Daniel Barenboim and in his first career as a piano soloist, played with the Berlin, Vienna, Israel, New York, and Los Angeles Philharmonics; the London, Boston, Chicago, San Francisco, Toronto, and Montreal Symphonies; as well as the Philharmonia Orchestra in London, the Cleveland Orchestra, and L’Orchestre de Paris under Abbado, Barenboim, Chailly, Kubelik, Leinsdorf, Levine, Mehta, Ozawa, and Previn. He has collaborated in chamber music with Itzhak Perlman, Pinchas Zukerman, Lynn Harrell, Nigel Kennedy, Cho-Liang Lin, and the Emerson String Quartet, and as vocal accompanist to Paul Appleby, Kathleen Battle, Hildegard Behrens, Maria Ewing, Ying Fang, Ryan Speedo Green, Kate Lindsey, Tamara Mumford, Aprile Millo, Erin Morley, Lisette Oropesa, Ailyn Pérez, James Morris, Kurt Moll, Jessye Norman, Matthew Polenzani, Morris Robinson, Russell Thomas, Dawn Upshaw, and Deborah Voigt.
The profound influence of pianist Gilbert Kalish as an educator and pianist in myriad performances and recordings has established him as a major figure in American music-making. This season he appears with the St. Petersburg Chamber Philharmonic, performs at the Ojai Music Festival, and holds a residency at the San Francisco Conservatory. In 2006 he was awarded the Peabody Medal by the Peabody Conservatory for his outstanding contributions to music in America. He was the pianist of the Boston Symphony Chamber Players for 30 years, and was a founding member of the Contemporary Chamber Ensemble, a group that flourished during the 1960s and 70s in support of new music. He is particularly known for his partnership of many years with mezzo-soprano Jan DeGaetani, as well as for current collaborations with soprano Dawn Upshaw and cellists Timothy Eddy and Joel Krosnik. As an educator and performer he has appeared at the Banff Centre, the Steans Institute at Ravinia, the Marlboro Music Festival, and Music@Menlo; from 1985 to 1997 he served as chairman of the Tanglewood faculty. His discography of some 100 recordings embraces both the classical and contemporary repertories; of special note are those made with Ms. DeGaetani and that of Ives' Concord Sonata. A distinguished professor at SUNY Stony Brook, Mr. Kalish has been an Artist of The Chamber Music Society of Lincoln Center since 2006.
Violinist and violist James Thompson enjoys a multifaceted career as a chamber musician, soloist, educator, and lecturer. He is currently on faculty at Music@Menlo and was a member of CMS’s Bowers Program from 2021 to 2024. He has performed for prestigious chamber music organizations across the country, including the Chamber Music Society of Lincoln Center, Music@Menlo, the Four Arts Society, Parlance Chamber Concerts, the Perlman Music Program, and the Taos School of Music. Solo engagements include appearances with the Cleveland Orchestra, the Cleveland Institute of Music Orchestra, the Cleveland Pops Orchestra, and the Blue Water Chamber Orchestra. He was invited to perform in Budapest as part of the First Bartók World Competition and in Sendai for the Seventh Sendai International Violin Competition. Recently, his abilities as a presenter have earned him invitations to speak at a variety of established concert series. His multimedia live interview with the Kalichstein-Laredo-Robinson Trio, hosted by CMS, was a highlight of his 2021–22 season. Alongside his career on stage, he is forming a strong reputation as a private instructor and chamber music coach, and has recently served as a teaching fellow at both the Encore Chamber Music Festival and the Western Reserve Chamber Music Festival. Thompson holds bachelor’s, master’s, and artist diploma degrees from the Cleveland Institute of Music; his primary teachers include Jaime Laredo, William Preucil, and Paul Kantor.
A recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist, recitalist, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra, St. Louis Symphony, Hawai’i Symphony, the Hong Kong Philharmonic, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album, American Sketches, on First Hand Records in November 2024. In 2026, she will collaborate with Grammy-nominated ensemble Sandbox Percussion, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program.
Taiwanese-American violinist Richard Lin continues to gain international prominence since his Gold Medal prize at the 2018 International Violin Competition of Indianapolis. Following his June 2022 Carnegie Hall Stern Auditorium recital debut, New York Concert Review asserted, “Richard Lin. Remember the name. For he has everything required to take the world by storm.” He has collaborated with numerous orchestras and performed at celebrated concert venues throughout Asia, Europe, and the United States. He is a laureate of the Sendai, Joseph Joachim, Singapore, and Michael Hill International Violin competitions and has just joined the faculty of the National Taipei University of Education. He opened the 2022–23 season as soloist with the Chippewa Valley Symphony and Hong Kong Sinfonietta. He appeared in recitals in Indianapolis, Washington, DC, and Baton Rouge. Passionate about chamber music, he continues to perform with the Chamber Music Society of Lincoln Center, at many music festivals, and on tours of Asia. In the spring of 2023, he released a new album with pianist Thomas Hoppe on the Azica label featuring his Carnegie Hall program with works by Vitali, Richard Strauss, John Corigliano, and Frolov. Born in Phoenix, Arizona, and raised in Taiwan, Lin graduated from the Curtis Institute of Music and The Juilliard School, where he studied with Aaron Rosand and Lewis Kaplan, respectively.
American violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing” and by the Chicago Tribune for a “splendid technique and musical sensitivity.” Recent seasons have included appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra. He has performed recitals at Carnegie Hall, Aspen Music Festival, and the Zürich Tonhalle; was invited by Michael Tilson Thomas to be a soloist at the New World Symphony Viola Visions Festival; and has appeared in chamber music with Anne-Sophie Mutter at the Berlin Philharmonie, Vienna Musikverein, and on Deutsche Grammophon Stage+. An alum of the Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center, where he occupies the Wallach Chair. In 2022, he made his Sony Classical debut on The Dvořák Album, and his 2019 solo debut recording, Ascent, was released by Cedille Records, marking world premieres of the Shostakovich Impromptu and Clarice Assad Metamorfose. Additionally, he recorded the Mozart Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields, conducted by the late Sir Neville Marriner. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions, he studied with Heidi Castleman at Juilliard and Tabea Zimmermann at the Kronberg Academy. Lipman is on faculty at Stony Brook University and performs on a 2021 Samuel Zygmuntowicz viola, made for him in New York.
Romanian-born cellist Mihai Marica is a first-prize winner of the Dr. Luis Sigall International Competition in Viña del Mar, Chile, as well as the Irving M. Klein International Competition, and is a recipient of Charlotte White’s Salon de Virtuosi Fellowship Grant. He has performed with orchestras such as the Symphony Orchestra of Chile, Xalapa Symphony in Mexico, the Hermitage State Orchestra of St. Petersburg in Russia, the Jardins Musicaux Festival Orchestra in Switzerland, the Louisville Orchestra, and the Santa Cruz Symphony in the US. He has also appeared in recital performances in Austria, Hungary, Germany, Spain, Holland, South Korea, Japan, Chile, the United States, and Canada. A dedicated chamber musician, he has performed at the Chamber Music Northwest, Norfolk, and Aspen music festivals where he has collaborated with such artists as Ani Kavafian, Ida Kavafian, David Shifrin, André Watts, and Edgar Meyer. He is a founding member of the award-winning Amphion String Quartet. A recent collaboration with dancer Lil Buck brought forth new pieces for solo cello written by Yevgeniy Sharlat and Patrick Castillo. He recently joined the acclaimed Apollo Trio. Marica studied with Gabriela Todor in his native Romania and with Aldo Parisot at the Yale School of Music, where he was awarded master's and artist diploma degrees. He is an alum of CMS's Bowers Program.
Clarinetist Sebastian Manz has been praised for his “enchantingly beautiful intonation and technical prowess” by Fono Forum. He has performed as a soloist with major European orchestras such as the Nuremberg Symphony Orchestra, the Munich Chamber Orchestra, and the National Youth Orchestra of Germany. On the chamber music stage, he has given performances at Elbphilharmonie Hamburg, Beethovenhaus Bonn, and has appeared at festivals including the prestigious Festspiele Mecklenburg Vorpommern and the MDR Musiksommer in Germany, collaborating with artists like Sebastian Studnitzky, Sarah Christian, Julian Steckel, Danae Dörken, the Danish String Quartet, and the Armida Quartett. At the ARD International Music Competition in 2008, he won not only first prize in the clarinet category, which had not been awarded for 40 years, but also the coveted Audience Prize and other special prizes. He is Principal Clarinet of the SWR Symphony Orchestra in Stuttgart. He is also active in the “Rhapsody in School” organization founded by Lars Vogt, which is committed to bringing classical music into schools. His recording A Bernstein Story was awarded with the Opus Klassik award in 2020. He recently released his recording of clarinet concertos by Carl Nielsen and Magnus Lindberg, as well as a recital recording of works by Brahms and Schumann with pianist Herbert Schuch. Manz was born in Hanover, and his teachers include the acclaimed clarinetists Sabine Meyer and Reiner Wehle. He is an alum of CMS's Bowers Program.