13. Art of the Fugue
1. | Introduction | 00:00:35 |
2. | About The Art of the Fugue | 00:01:53 |
3. | Bach: The Art of Fugue, Contrapunctus I-XI | 00:56:00 |
4. | Closing | 00:00:30 |
Program
Bach The Art of Fugue, Contrapunctus I-XI
Orion String Quartet (Daniel Phillips, Todd Phillips, violin; Steven Tenenbom, viola; Timothy Eddy, cello); Windscape (Tara Helen O'Connor, flute; Randall Ellis, oboe; Alan R. Kay, clarinet; Frank Morelli, bassoon; David Jolley, horn)
Title | Date |
---|---|
Streaming live | {{ViewModel.StreamingOn.date}}, {{ViewModel.StreamingOn.time}} |
Available on-demand until | {{ViewModel.AvailableUntil.date}}, {{ViewModel.AvailableUntil.time}} |
{{ViewModel.BuySubscription.prompt}}
Orion String Quartet
Tara Helen O'Connor
Randall Ellis
The Orion String Quartet is one of the leading chamber music ensembles on the classical music scene today. Admired for diverse programming that juxtaposes masterworks of quartet literature with key works of the 20th and 21st centuries, the Orion provides singularly rich dimension to its music-making. The members of the Orion String Quartet—violinists Daniel Phillips and Todd Phillips, brothers who share the first violin chair equally, violist Steven Tenenbom, and cellist Timothy Eddy—have worked closely with illustrious musicians, such as Pablo Casals, Sir András Schiff, Rudolf Serkin, Isaac Stern, Pinchas Zukerman, Peter Serkin, members of the ensemble TASHI, and the Beaux Arts Trio, as well as the Budapest, Végh, Galimir, and Guarneri String Quartets. The Orion String Quartet are season artists of the Chamber Music Society of Lincoln Center.
In the 2021–22 season, they appeared in CMS’s Winter Festival, performing selections from Wynton Marsalis’s At the Octoroon Balls and Milhaud’s La Création du Monde, and repeated this program at the Wolf Trap Foundation for the Performing Arts in Virginia in the spring. The Quartet’s concerts last season also included appearances with the Phoenix Chamber Music Society and the Philadelphia Chamber Music Society with music by Haydn, Bach, Bartók and Beethoven, and with Linton Chamber Music in Cincinnati, in collaboration with Anthony McGill for Reger’s Clarinet Quintet and quartet works by Beethoven.
In the 2022–23 season, the Quartet performed Beethoven’s String Quartet No. 16 in a winter concert for CMS, and appears again with both the Phoenix Chamber Music Society and Philadelphia Chamber Music Society, with works by Mozart, Schubert, and Brahms.
During the Quartet’s 30th-anniversary season in 2017–18, the group celebrated at principal chamber music series throughout North America. They played the complete Beethoven string quartets in a series of six concerts at Mannes School of Music, where they held the position of Quartet-in-Residence for 27 years; at CMS they performed in an all-Haydn program and presented a contemporary music concert of works written for the group, including the world premiere of Sebastian Currier’s Etudes and Lullabies commissioned by CMS, David Dzubay’s “Astral” Quartet No. 1 for Strings, and Brett Dean’s Quartet No. 2 for Strings and Soprano, And once I played Ophelia. New music specialist Tony Arnold joined the Orion as vocal soloist for this performance.
The Orion String Quartet has contributed to the development and expansion of the string quartet repertoire through commissions from composers Chick Corea, David Del Tredici, Alexander Goehr, Thierry Lancino, John Harbison, Leon Kirchner, Marc Neikrug, Lowell Liebermann, Peter Lieberson, and Wynton Marsalis. As a hallmark of its 25th anniversary, the group collaborated with the Bill T. Jones/Arnie Zane Dance Company in a two-week project that featured music by Mozart, Schubert, Mendelssohn, Ravel, and Beethoven. WQXR’s The Greene Space produced a live broadcast of the collaboration, including the performance and a discussion among members of the Orion Quartet and choreographer Bill T. Jones.
Heard frequently on National Public Radio’s Performance Today, the Orion has also appeared on PBS’s Live from Lincoln Center, A&E’s Breakfast with the Arts, and ABC’s Good Morning America.
The Orion String Quartet was established in 1987 and takes its name from the Orion constellation as a metaphor for the personality each musician brings to the group in its collective pursuit of the highest musical ideals.
Tara Helen O'Connor is a charismatic performer noted for her artistic depth, brilliant technique, and colorful tone spanning every musical era. Recipient of an Avery Fisher Career Grant and a two-time Grammy nominee, she was the first wind player to participate in CMS’s Bowers Program. She regularly appears at the Santa Fe Chamber Music Festival, Music@Menlo, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, Chamber Music Northwest, Mainly Mozart Festival, Music from Angel Fire, the Banff Centre, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Great Mountains Music Festival, Chesapeake Music Festival, and the Bravo! Vail Valley Music Festival. She is the newly appointed co-artistic director of the Music From Angel Fire Festival in New Mexico. She is a member of the woodwind quintet Windscape, the legendary Bach Aria Group, and is a founding member of the Naumburg Award-winning New Millennium Ensemble. She has premiered hundreds of new works and has collaborated with the Orion String Quartet, St. Lawrence Quartet, and Emerson Quartet. She has appeared on A&E's Breakfast for the Arts, Live from Lincoln Center and has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center, and Bridge Records. A Wm. S. Haynes flute artist, she is an associate professor at Purchase College. Additionally, she is on the faculty of Bard College, Manhattan School of Music, and is a visiting artist at the Royal Conservatory of Music in Toronto, Ontario.
Randall Ellis served as principal oboist of Lincoln Center’s Mostly Mozart Festival Orchestra from 1988 until 2016. He is principal oboist of the Little Orchestra Society and the Mozart Orchestra of New York and is solo English horn in the New York Pops Orchestra. He is a member of the Emmy award-winning All-Star Orchestra and also the Windscape Woodwind Quintet, artists-in-residence at the Manhattan School of Music. Principal oboist and faculty member of the Eastern Music Festival, he was principal oboist of the New York Chamber Symphony and received two Grammy nominations, including one for his recording of Howard Hanson’s Pastorale. He has performed with the New York Philharmonic, Seattle Symphony, San Diego Symphony, Florida Orchestra, and the American Symphony Orchestra. He has been a soloist with the New England Bach Festival, the International Bach Festival of Madeira, the Philharmonia Virtuosi of New York, and Chamber Music at the 92nd Street Y. In addition to many appearances on PBS’s Live From Lincoln Center, he has recorded for EMI/Angel, Columbia, Sony, RCA, Vox, Nonesuch, CRI, Pro Arte, Delos, and Deutsche Grammophon. Ellis attended the North Carolina School of the Arts and Stony Brook University where he studied with Ronald Roseman. He teaches oboe and chamber music at Skidmore College and coaches in the graduate orchestral performance program at the Manhattan School of Music.